POSTED BY admin | March 29th, 2010
Yue Minjun’s incredible figurative installation entitled Amazing laughter has inspired some great responses from photographers.
Dan Fairchild, the official photographer of the Vancouver Biennale, has taken some of the finest shots of these pieces.
Here he’s playing with light on some of the detail shots of these individual pieces.
If you like what you see here please check out Dan’s amazing Flickr stream and stay tuned for more of his excellent work showcased here in the future.
Love this shot of the two hands folded in back to back. So elegant. Great lighting.
More about this sculpture:
Amazing Laughter Patinated bronze Yue Minjun (China)
Yue Minjun uses his own iconic face in a state of hysterical laughter as a signature trademark. Recognized universally as a sign of happiness, the smile raises questions of intent and interpretation. One of the most influential contemporary artists in China, Yue Minjun represents the new wave of Chinese artistic freedom. Amazing Laughter marks Yue MOnjun’s Canadian debut.
In Amazing Laughter Beijing-based artist Yue Minjun depicts his own iconic laughing image, with gaping grins and closed eyes in a state of hysterical laughter. These laughing figures are the signature trademark of the artist. They are not a conventional self-portrait, as they tell us little about the person portrayed or of the reason they are laughing so hysterically. The longer you look at these cast bronze figures, the more the contradiction of the silent, frozen form of sculpture begins to intrude. We see, but do not hear the laughter. The contorted poses of the figure suggest animation and a cartoon form of an anonymous person. The laughter appears to be convulsive, intense, and manic, but also insincere and forced. The scale is “un-naturally” large –exaggerated and excessive like the laughter.
Yue Minjun was a leading figure in what became to be known in the 1990’s as Cynical Realism, an artistic movement that emerged in China after the 1989 student demonstrations in Tiananmen and the suppression of artistic expression. Humor, cynicism, repetition and an emphasis on the individual are common characteristics of this artistic movement. Yue Minjun was one of the first artists to translate this new ironic view of contemporary life, one that is expressed in the nihilistic hilarity at a time when little was funny.
For more information visit www.yueminjun.com